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Freaking out about ChatGPT

Uncategorized / Anne Hawley

ChatGPT is all over the news these days, and as a creative writer, I was freaked out by it. I got a sick, fearful feeling that ChatGPT will replace human creativity—my creativity. It’s hard enough to find an audience without a tsunami of crap, written instantaneously for free by a robot, crashing over the marketplace […]

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Transparent clocks floating in a sunset sky

Past and Present 1: Telling your story out of order

Advice From Your Editor, Roundtable Podcast / Anne Hawley

What if you don’t want to start your story at the beginning? Join Kim Kessler and me for a discussion of stories with nonlinear timelines.

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A hand raises an ancient rusted door knocker

Inciting Incidents

Advice From Your Editor, Pages and Platforms / Anne Hawley

Every scene requires change, and every change must be incited by something that flows from the previous scene. If your character is just coasting along on the momentum of a previous inciting incident, it’s not a new scene, it’s just a scene that needs some cutting.

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Anne's workstation, showing a black desk, a large computer, and several posters. The words "Eyes here" are written across the computer monitor. "Hands here" is across the keyboard. "Sit here" is in the chair space.

Anne Learns to Write

5 Comments / Advice From Your Editor, Danebury Hill, Masterwork Experiment, Writing / Anne Hawley

For someone who’s been writing for five decades, it’s weird that I just learned how.

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A stately home of red brick in Hampshire, UK

The Slow Grind of a First Draft

Danebury Hill, Masterwork Experiment / Anne Hawley

Let me tell you about first drafts. Well, my first drafts. Or at least this particular first draft. It’s a mess. It feels like a hopeless mess.

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Boggle dice scattered on a wooden surface, with the words BREAK THE RULES spelled out

How’s that Brokeback Mountain ripoff coming, anyway?

2 Comments / Danebury Hill, Masterwork Experiment / Anne Hawley

I examine the internal roadblocks to completing my draft of the Brokeback Mountain inspired story, and try to get going again.

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Objects of Desire

Advice From Your Editor, Writing / Anne Hawley

If you don’t know what your characters want and need, how are you going to move them through a story?

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Photograph of a stile gate in a green and rolling English landscape, and the title Danebury Hill

Preparing for Episode 10

4 Comments / Danebury Hill, Masterwork Experiment / Anne Hawley

The Masterwork Experiment podcast concludes with today’s recording. Here’s what I’ve learned.

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Masterwork Experiment 3: Defining the Characters

4 Comments / Danebury Hill, Masterwork Experiment / Anne Hawley

In this episode Shawn and I spend some talking about the two characters I’ve already begun to define for Danebury Hill: Matthew the footman and Josiah the groom. I argued for giving my characters more of a happy ending, partly because I want to solve the puzzle of how two servant class men in the

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Anne's recording studio, a small rather scruffy room lined with dark gray acoustical eggcrate foam panels and containing pink carpet, an orange metal stool, a laptop, a tablet, a balance perch, a stand microphone and pop screen, a bunch of wires, and a pair of very bright light fixtures that look remarkably like breasts.

Masterwork Experiment Episode 2

Danebury Hill, Masterwork Experiment / Anne Hawley

In this episode, I ace the “Beginning Hook, Middle Build, Ending Payoff” summary of Brokeback Mountain, though not without a few tears in my voice, because damn, that story is sad. There’s a huge temptation, in working with someone as accomplished as Shawn Coyne, to play the Good Student and try to get an A

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